Fine Arts Building

It is an excellent example of adaptive reuse, and today dozens of artists and arts organizations benefit from its charming studios and performance spaces.

In 1883, the Studebaker Carriage Company planned to make Chicago the center of its retail business while maintaining manufacturing in South Bend, Indiana. Two years later, the company commissioned what was originally known as the Studebaker Building on Michigan Avenue to serve as a carriage factory and showroom.

By 1896, having secured larger manufacturing quarters, the Studebaker family converted the building to studios for artists, musicians, architects and others. The building became a home to both the women’s suffrage movement and the Arts and Crafts movement in the Midwest. To this day, it houses artists’ lofts, art galleries, dance and recording studios, interior design firms, musical instrument makers and other businesses associated with the arts. Classical piano music echoes through its corridors as visitors take one of the last manually operated passenger elevators in the city up to tour violin makers’ studios or hear a performance by the Jazz Institute of Chicago.

INNER AND OUTER BEAUTY

The building was designed by Solon S. Beman and was highly influenced by the then-popular Richardson Romanesque style. Its 11-story load-bearing walls feature rusticated granite and limestone piers, ornamented columns and round arches accommodating five bays of oriel windows. Five stories of smaller window groupings above the arches complete a facade that is capped by a decorative cornice.

Though the building is spectacular from the street, it is all the more enchanting inside. During the 1898 restoration, the building’s “Venetian Court”—a courtyard in the middle of the building with a light well and sculpture garden—was created. It stretches from the fourth floor all the way up to the roof. Also painted during the restoration were the Art Nouveau murals that decorate the main entrance.